The politics of life,
where authority we oppose.
The snares for a wife,
magical tunes we compose.
The scent of strife,
heaps upon heaps decompose.
What is rife?
A word we suppose.
Pride, lust, laughter in grief
like in the wizard of Oz.
The politics of life,
where authority we oppose.
The snares for a wife,
magical tunes we compose.
The scent of strife,
heaps upon heaps decompose.
What is rife?
A word we suppose.
Pride, lust, laughter in grief
like in the wizard of Oz.
How could he resist
when the smile kept insist
he tried to make long
his face, sing a song
of acute depravity
but the music was of longevity.
He wanted to seem destitute
acted like a damned mute
still his mouth curved
upward, still he loved
he grew huge and robust
like a Picasso bust.
What the hell! he decided
to live where joy resided
since he tried and failed
every time he ragedly wailed.
So he turned his days festive
replaced his wild and aggressive
side with the calm
of the lakeside charm
that he recalled of his early days
in place of the zombie like daze.
En kogwen-
Yiethi biro gi rech,
japur yietho kwer,
nyithindo ochiew gi kech,
odeyo manyoro moro chwero.
wende Luo mon wero,
guok oling’ ti oko gi,
nyiri odhi yao twomo pi,
jakwath ikore ne nyiedho,
dayo yao dho-ot ne gwen,
jamahundhu pando nyatieng’
Rao olal e’ chuny nam.
Okinyi mang’ich gima ber
engima jadho-ot.
(It is dawn-
The boats come in with the fish,
the farmer sharpens his hoe,
the children awaken hungry,
one scraps the pot with yesterdays odeyo.
The women sing traditional songs,
the dog is silent-it barks not,
the girls head for the pond to fetch water,
the herdsman prepares to milk the cows,
the old woman opens the coop door for the chicken,
the mailcious youth hides his nyatieng’,
the hippo has disappeared far into the lake.
early morning is a good thing
in the life of my tribesmen.)
odeyo- dry/burnt ugali found at the bottom and sides
of pots.
Nyatieng‘- a smooth round rock used in combat.
My country, my love
My home comforter of my soul.
My country, my love
Where opposition and rulers
Are one and the same.
Where to govern or claim
Depends on what fame
The clowns have.
My country, my love.
Where to go to school
Is to be miseducated.
where to have gifts
Is to be the most hated.
Where to be young
Is a crime.
Where to hold or cherish a smile
Is not worth your while.
My country, my love,
So rich but never wealthy.
It’s citizen fat,
Yet not even one is healthy.
A nation toxicated
By the alcoholic puke
Of its children.
My country, my love
Because I’m famous
If I keep on stealing,
Because the law protects
Only my elite siblings,
Because more and more
Everything else is dying.
I hear screams, on the outside; Nightmarish dreams plague my sight. Scars from whips, on my backside Ensure my feet, always on flight. Naval ships land, at the dockside And I know I’ll die , without giving a fight. I hear screams, this time inside; From my terror stricken seeds From my dwellings, the cold bat caves. I feel the swellings, on my skin Begin to itch. My eyes twitch. Where’s the witch? I need her brews. I long to fill, with beast like hair. I desire to have, snake like fangs. I wish my fingers turn into talons. Strong, hard and sharp, like the eagle’s. I hear screams, all around me. Screams of joy, from the blood they sniff. Joy’d that at last, their little ones have gone To lands distant, to places better- To the home of the dead, Where everyone’s an equal, where feelings are mutual. And I seek refuge, in the grave. Where I tell not pain from joy, Where I tell not, the clock’s long And short hands, where I see not, Darkness and light. A place I most loathe, A gray land, where our seats Are the fences. And our defenses Are just to sit and watch.
Like a weed ,
I struggle to survive-
In days of heat,
In days of rain.
In days of joy,
In days of pain.
The farmer hates me,
He won’t let me be.
Says I suffocate his beans
Maize and green peas.
he says with his crop
I compete
For sun rays, air and the raindrop,
I compete
For whatever food of his soil,
I compete
To be greener and jucier.
My leaves compete,
My fruits compete.
So, he pulls me out,
Buys chemicals that wipe
Away only my genes,
Pays men and women
To dig me out.
But like a weed
i turn the poor farmhand’s feed.
If not by employment,
Then by edible enjoyment.
When cabbages and kales
Are priced heavier by the scales
For his shallow pockets.
I turn medicine,
I turn outbreak vaccine,
I turn drug whose toxins
Relives youthful pressures
Without government taxing.
Like a weed
I am hated and ridiculed
But my flowers boys pick
Just to win girls hearts.
“How are you today?”
The Lord asked me.
“Fine”
Was my reply.
“Are you really
Fine?”
He asked.
“Sure”
was my reply.
He patted a seat
On his right side
And invited me to relax
For he could see
My red eyes,
And could tell
Twas a result
Of sleeplessness and crying.
Again He asked,
Again I replied,
“Fine”
Yet He could see
The lines of worry
On my young face,
The thinning patch
On my head,
Loose hanging skin
All over my body.
“How was your night?”
“Alright”
I said.
“You sure?” He persisted.
It irritated
Not his questions
But the infection
On my skin,
I longed to scratch
Till I bled.
But He was watching
And I could’nt allow
Him to know
That I wasn’t fine.
My answers throughout were,
Fine. Fine. Fine.
He even offered a meal
“Fine thank you”
Yet my stomach grumbled.
Twelve hours in
The presence of He that
Could and would
Change all this
Still I insisted I was
Fine.
We said our byes.
I said I’d be
Fine
On my way back.
He said he planned
to make me a tad unfine
For FINE was doing me
No good.
one thing i did well
was make mistakes
like the mistake of
my fathers before me
who loved many women
that sired seeds of conflict
that sired deciet
the mistake of bringing
into the world my seed
only for it to rot
in the ground
instead of sprouting
to be a tree
why? cause of a mistake
of planting and forgetting
never even bothering
to water the plants
another mistake is in wars
fighting for foreign leigons
making them strong
hoping that my tribe
they will leave alone
how wrong
of me to assume
another mistake i live with
What happened, Dear friend?
Why did you stop writing?
I no longer see, so I pretend
That you must be channeling
Your creative juice
Down another river.
This from a letter
From one poet to another.
He continued…..
The grass is growing
And crowding,
Turning the peaceful meadow,
Remember? The one we walked
Trough collecting thought?
Into a harem for snakes.
Please come back
At least for Art’s sake.
She is sad though she pretends
Nothing is wrong.
She no longer sheds tears
But still shows pain
In her shivers.
She is a prisoner in the meadow,
Too afraid to walk it
Without your encouraging
Words.
At least you made
Her smile, even if it was
For just a fleeing second.
Now she’s grey and wrinkled,
She’s lost all her gaiety.
She is a mess
Without your language.
I also worry about you,
Knowing what its like
For a poet not to write,
For a poet not to recite.
Remember when we were in chains?
When we used our blood
For ink?
Turned prison walls into
Paper?
How do you live
Without you words?
How do you cope?
Maybe you see no more
The rising of the sun,
Hear no more
The singing of the birds,
Maybe your fingers are stiff.
In truth, I write you
Only as a poet can.
For deep down I feel
No more your prescence.
Your soul has parted
From your body.
You’re in a state
Where you need not
Poetry.
You are dead.
Questions were asked
Threats were posed.
Whats going on?
I’ll dishonour you
Why?
I will kill you
When?
Inside your head
Where?
Today or tommorow
when the weather is right.
Who should die?
Me or you?
Him or she?
Her or he?
You all are dead,
I’ll just make sure.
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